Government Intervenes to Preserve Artistic Heritage
The UK Government has intervened to prevent the permanent export of a significant painting from the First World War period, created by the esteemed artist Stanley Spencer. This decision aims to facilitate the acquisition of this national treasure by a British gallery or institution, ensuring it remains accessible to the public.
Stanley Spencer (1891-1959) is celebrated as one of Britain’s leading modern artists, particularly noted for his profound explorations of resurrection in his artwork, a theme that greatly influenced the trajectory of British Modernism. Among his notable works, “The Resurrection of the Good and the Bad” holds particular importance as it represents Spencer’s initial foray into this thematic exploration. Should a UK museum or gallery succeed in acquiring this piece, it would become the earliest publicly owned example of Spencer’s Resurrection series, providing an invaluable resource for understanding his artistic vision.
Significance of the Painting
Created in 1915, prior to Spencer’s service in the First World War, this painting offers a unique insight into his beliefs during a tumultuous time. It captures a moment before he personally experienced the ravages of conflict, making it a poignant reflection of his thoughts and emotions.
The artwork is a diptych, consisting of two panels; the left side depicts the Good rising on the Day of Judgement, while the right side illustrates the Bad. Each panel measures approximately 80 x 63 cm and is rendered in oil on canvas. The piece not only showcases Spencer’s technical skill but also encapsulates his philosophical inquiries into good and evil, life and death.
Funding and Acquisition Efforts
In light of the government’s decision to impose a temporary export ban, museums and galleries now have the opportunity to mobilise funds necessary for the painting’s acquisition. This initiative is aimed at preserving the artwork within the UK and ensuring its availability for public display.
Arts Minister Ruth Mackenzie expressed her hope that this export restriction would enable the public to engage with a major work from one of the twentieth century’s most significant British artists. Mark Hallett, a member of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA), underscored the painting’s importance, highlighting its role in understanding Spencer’s broader artistic and philosophical themes. He emphasised the necessity of keeping such an important piece within the UK.
Next Steps and Opportunities for Purchase
The RCEWA recommended the temporary export ban based on the painting’s outstanding significance, which aligns with the third Waverley criterion. This decision allows a deferral period that runs until 10 December 2026, during which interested parties are encouraged to express their interest in acquiring the work.
Following this initial deferral, owners will be given a 15-business-day window to consider any offers at the recommended price of £450,000. Should a formal agreement be established, a second deferral period of four months will ensue to facilitate the acquisition process.
Contact Information for Interested Buyers
Individuals or organisations keen on purchasing “The Resurrection of the Good and the Bad” are invited to reach out to the RCEWA for further information. They can be contacted via telephone at 020 7268 0534 or via email at rcewa@artscouncil.org.uk.
The painting, which measures 635 x 787 mm (each panel), has a notable provenance, having been purchased from Spencer by James Wood in 1915 and subsequently passed through various collections before reaching its current owner. This artwork stands as a testament to Spencer’s legacy and the artistic heritage of the UK, making its preservation a matter of national importance.